Discover the Crow Museum of Asian Art’s Upcoming Expansion and Rich Collection
The Crow Museum of Asian Art, a cornerstone of Dallas’s Arts District, invites visitors with its free admission and an impressive array of Asian masterpieces. In anticipation of a Fall 2018 expansion, I spoke with Sara Kern, the museum’s Marketing Manager, to learn about its history, growth plans, and what’s next for this cultural hub.
When did the Crow Collection open its doors to the public?
Nearly two decades ago, on December 5, 1998, the Trammell and Margaret Crow Collection of Asian Art opened as a permanent museum at 2010 Flora Street in downtown Dallas.
Which Asian regions are highlighted, and are there plans to broaden the collection?
The museum’s permanent holdings span more than 6,000 years of artistic achievement from across Asia, featuring works from Cambodia, China, India, Indonesia, Japan, Korea, Myanmar, Nepal, Thailand, Tibet, and Vietnam. We are especially proud of our Chinese jade collection, which boasts almost 500 objects. The museum continuously seeks to enhance its holdings through quality donations and gifts.
Why is the Crow Museum’s location in downtown Dallas significant?
Positioned at the heart of Dallas’s urban core, the museum benefits from close proximity to Uptown, Downtown, and Deep Ellum—each neighborhood with its own distinct character. This centrality improves accessibility for both locals and tourists, encouraging frequent visits.
What prompted the name change to the Crow Museum of Asian Art?
Adopting the new name this fall signals our commitment to broader public trust and reflects the diversity of our collection and programming. It also underscores the wide community support that sustains us.
What can visitors expect with the expansion?
The expansion introduces a new downstairs gallery that links the existing upper galleries via a striking wood‑and‑glass staircase and a modern elevator. The Lotus Shop will return to the main building, offering Asian‑inspired gifts and collectibles with a pedestrian‑friendly street entrance. We’ll also launch the Pearl Art Studio—an interactive space where families, locals, and artists can participate in workshops, classes, and hands‑on art-making. Details will be announced this summer.
Why is the Crow Museum a year‑round destination?
Our mission is to provide everyday learning opportunities about Asian art and culture, all at no cost to visitors.
What’s a lesser‑known fact about the museum?
Our permanent collection houses the world’s second‑largest flawless crystal—measuring 11 3⁄8 inches in diameter. The largest resides at the Smithsonian in Washington, D.C. This stunning crystal will be displayed this fall.
What does the future hold for the Crow Museum?
Looking ahead, we’re preparing new exhibitions and programming to celebrate the museum’s grand re‑opening and its 20th anniversary. Current shows include Earthly Splendor: Korean Ceramics from the Collection and Fierce Loyalty: A Samurai Complete.
Photo Credit: Courtesy of the Crow Museum of Asian Art. Tosei Gusoku Type Armor, Garniture of Abe Masatoshi (1700‑1769), Lord of Fukuyama Fiefdom. Edo period (1615‑1769). Iron, lacquer, braided silk, brocade, leather, wood, horsehair, and metals including gold, golf leaf bronze, and silk.
