Impressionism Masterpieces: William J. Glackens and Pierre-Auguste Renoir at the Hunter Museum

William J. Glackens and Pierre-Auguste Renoir: Affinities and Distinctions
On view now through September 22

The Hunter Museum presents its captivating summer exhibition, William J. Glackens and Pierre-Auguste Renoir: Affinities and Distinctions. This show delves into the profound influence of French Impressionist master Pierre-Auguste Renoir on the esteemed American painter William J. Glackens. Impressionism, now one of the most cherished art movements, originated as a bold rebellion by young French artists who challenged traditional painting conventions with their innovative works.

The Impressionists revolutionized art by depicting everyday middle-class scenes—often overlooked subjects at the time—using rapid brushstrokes, vibrant colors, and a focus on capturing fleeting moments. Their groundbreaking techniques paved the way for modern visual arts and continue to inspire today.

Renoir pioneered the fragmentation of solid forms, prioritizing the formal and coloristic essence of painting. His thick, visible brushstrokes emphasized the ephemeral "impression" of a moment over realistic illusion. Glackens, a frequent European traveler and friend of renowned collector Albert C. Barnes, immersed himself in French Impressionist masterpieces. He was particularly drawn to Renoir's mastery of subject, color, and brushwork, incorporating these elements into his own evolving style that emphasized movement and light.

The Hunter Museum's exhibition invites visitors to witness Renoir's direct impact on Glackens firsthand—observing stylistic shifts after his European journeys and his unique American trajectory. As Renoir battled severe arthritis later in life, his brushwork softened, with subjects blending into backgrounds in contrast to his earlier vibrant details. Glackens, however, embraced bolder colors and distinctive subjects, defining American Impressionism.

Natalie Mault Mead, associate curator at the Hunter Museum, notes that drawing inspiration from peers and predecessors is a timeless artistic tradition. Renoir influenced diverse masters like Matisse and Picasso, and Glackens similarly adapted these ideas to craft his distinct voice.

"I think Glackens was inspired by Renoir but wasn't trying to copy him," Mead explains. "He understood Renoir's 'why' and sought to create a modernist style that was uniquely American."

The Soda Fountain (1935), Glackens' final major work, exemplifies this vision. It vividly captures early 20th-century American vibrancy, departing from rigid traditional forms.

William J. Glackens and Pierre-Auguste Renoir: Affinities and Distinctions brings these Impressionist icons to all audiences. The exhibition runs through September 22, 2019. Admission is $20 for general visitors, free for members and youth 17 and under.

Organized by NSU Art Museum Fort Lauderdale and curated by Barbara Buhler Lynes, Ph.D., Sunny Kaufman Senior Curator. Sponsored by The Sansom Foundation, Kolter Hospitality/Hyatt Centric and 100 Las Olas, David and Francie Horvitz Family Foundation; presented in Chattanooga by Sanofi with support from Elliott Davis and the SunTrust Foundation. Additional support from Ruby Falls and the Chattanooga Convention and Visitors Bureau.

For more details, click here. Tickets available in person at the Hunter Museum.

Plan your visit with a vacation package: Tour the Hunter Museum, Tennessee Aquarium, and stay at the luxurious Edwin Hotel. View details here.